NYC Holiday Window Sneak Peak

First there was the Titanic, then came “Santa Claus Conquers the Martians” (1964), arguably one of the all-time worst movies ever made. Pour me some instant Swiss Miss, and curl up on the couch, I love a trashy Christmas film.

Well, Santa may have conquered the Martians, but Main Street is another matter all together. Americans too might be more like Martians than we care to admit. We too can be petty, have unreasonable expectations and want more than Santa can readily provide. So, we look to retailers to be our Santa Clauses. Just like Santa on Mars, retailers are doing their level best. Weeks before Thanksgiving, holiday windows in New York were beginning to pop up. With trusty camera in hand, I’ve taken a few quick shots to show you just how fun, joyful and elegant this year's Christmas promises to be, thanks to great retailers!

Click here to view a full slideshow of the photos.


In case you are interested, here’s a synopsis of the movie mentioned above: The citizens of Mars, including Momar ("Mom Martian") and Kimar ("King Martian") are worried that their children Girmar ("Girl Martian") played by Pia Zadora, who in an interesting casting note is actually Martian, and Bomar ("Boy Martian") are watching way too much Earth television. (Just like my mom, who warned that if I sat too close to the TV, I would get radiation poisoning--thanks mom!) There’s no Dr. Spock, or even a Dr. Phil on Mars, only an 800-year-old Martian, Chochem, who warns that the children of Mars are growing robotized due to Martian society's overly rigid structure (after all, their education is fed directly into their brains through creepy machines… just like at my grade school), so Martian children  are not allowed any individuality or freedom of thought. Cochem advises that children should be allowed to have fun (gasp!), which is as close to heresy on Mars as you can get. Regardless, the Martians figure that the best way to remedy the situation  is to kidnap Santa Claus (and a few pesky Earth children), and bring them to Mars to make toys for the children of Mars.

When they arrive (bound and gagged,) Santa is forced to work in a Martian factory to make toys for the little green children. (Yes, with antenna.) This is where Santa introduces a “Slinky “ to the Martians, who you would think, considering their technology, would know what a coil is. But I digress. The factory is like a Louis Vuitton sweat shop in China, lead paint not included. Let’s just say that despite the adduction, the Martians are not too fond of Santa, they try to kill him, and the Earth kids, sabotage the factory, ruin the toys, treat him like dirt, and are otherwise not too friendly. After much plodding intrigue, a little Stockholm Syndrome in Santa, and some lousy musical numbers, the Martians realize that they don’t need our Santa, they have their own lame-o version, that’s right, a knock-off on Mars. (Stay away Chanel!) Anyway,  Santa and company are sent back to earth…with a thud!

Sample Dialogue: “No siree! We're going out the good ol' fashioned way. Prancer and Dancer and Doner and Blitzen, and Vixon and Nixon... oh, consarnit I get those names mixed up, but the KIDS know their names.”--Santa Claus

--Ron Knoth, Guest Blogger

The Kiss of the Spider Woman

She hung above the pavement like a goddess. She seamless floated magically into the night. She was a Spider Woman. It was Halloween on Fifth Avenue. There was not a trick-or-treater on the street.

 

Some retailer’s actually understand their customer and understand the product they sell; most retailers, unfortunately, do not have a clue. Halloween has come and gone. Most feeble retailers did the same thing they did last year, and the year before, and the year before that.

Does this sound familiar? It did not matter if you sold fine jewelry or hardware. It did not matter if you sold beautiful clothing or shampoo. The visual merchandising was identical--it included poorly strung cheep polyester spider webs criss-crossing windows with a heavier hand not seen since Bela Lugosi starred in Dracula (1931), interspersed were black paper cut-outs of witches in profile, skeletons and candelabras. Strung from monofilament were limp rubber bats, and lining piles of mismatched orange and black merchandise were plastic skulls with gory blood dripping down like a broken toilet pipe. You walked past, thought “yuck…ugly,” and longed for the days when you were a kid and Halloween was actually mystical and fun.

Bergdorf Goodman is not the kind of store you think of when you think of Halloween. They do not sell pirate outfits or slutty nurse uniforms. There are no candy bars in plastic pumpkins on their accessories counter. I doubt that a penny was even collected for UNICEF. (Now I’m dating myself!) Regardless, that did not stop them from doing Halloween better than every other store in New York City. This is a retailer who understands their customer, and understands their product. They have no equal! Their Halloween windows were beautiful, eerie and captured the puerile magic of Halloween. The windows are sinisterly titled, “Tales of Technology.”

Bergdorf Goodman, in a sinfully creative way, once again raised visual merchandising to an art form. While they had several great Halloween windows, one in particular featured a beautifully adorned mannequin in a golden sequined gown; she was ensnared (suspended) in a crystal Swarovski spider web. Her make-up was gaudy. Bergdorf visual merchandiser, and demi-god, David Hoey even saw that her nail polish matched the ruby red of her lips. Also tangled in this web was a golden scorpion broach so large and ostentatious that it begged to be purchased just for its grandiosity. If that was not enough, also tangled in this macabre scenario was the real pay-off, a bejeweled laptop reinforcing the metaphor of the “web.” BRILLIANT! The Internet, the World Wide Web has ensnared us, too. We are its victims. Bergdorf Goodman makes technology beautiful. If they can make a laptop glamorous, can you imagine what they can do for us mere mortals?

 

Okay, Bergdorf Goodman partnered with Dell Adamo to create this special series, which includes, one laptop in mother of pearl, another in laser-etched faux oriental red silk, and a tarot-like card that is done in faux ivory scrimshaw. I was green with envy; they are so stunning that I was ashamed of my laptop, which has a vinyl adhesive skin of Van Gogh’s “Starry Night” that I bought on eBay.

Okay, maybe you have no need for a golden gown or a jeweled broach, but everyone has a generic laptop that is not personalized, makes no statement and says nothing about you, the user. Bergdorf Goodman created a series of windows to feature their one-of-a-kind laptop skins that turn a perfunctory item into this year’s “must-have” glamour item--more deeply personal than your iPod, more beautiful than your best piece of jewelry. You may not be able to afford them, but no harm comes from visiting their Web site (www.bergdorfgoodman.com) to take look.

 

--Ron Knoth, Guest Blogger

Top Photo: By Sindi Schorr © 2009

 

Louis Vuitton: Conveyor Belt Bling

Not that a simple Louis Vuitton store window highlighting beautifully adorned handbags wouldn't be enough to catch my gaze, but a conveyor belt?! (The attached pic doesn't do it justice...check out the YouTube video here.)

Ah Louis Vuitton, touché. In this lovely game of store window wonderment, passersby get to play "follow the moving handbag" as it darts in and out of beaded passages, seemingly changing the bag with each passage. Too cool for school, if you ask me. When last in New York, I was so mesmerized by this puzzlingly simple concept, that I had two complete strangers ask me if I would like them to take a picture of me in front of the display. (That's a first!). Internally, I was just trying to figure out the mechanics behind the madness. Lovely, visual, intriguing, handbag madness!

--Alison Embrey Medina

Lights, Camera, Technology!

Dante, in his “Inferno,” said that the hottest spots in hell are reserved for those who remain neutral in a crisis. So as this nervous holiday season approaches, skittish retailers are operating in crisis mode, and it is no wonder that most retailers have recycled last years windows and fall back on same ole, same ole concepts. Currier & Ives, red sale banners that offer up to 40 percent off (…on selected merchandise, watch that small print), gold reindeer, oversize Christmas balls and plastic snow with glitter (do not inhale). They live in the prehistoric past, as in B.G. (Before Google); they remain neutral.

Smarter retailers, with their pulse on consumer trends, are filling their windows with a dazzling array of lights, cameras and technology. Demonstrating that despite economic predictions, you can still have yourself a merry little Christmas. Among my favorites is Louis Vuitton. They have taken their iconic logo and symbols, and produced them in bright candy-colored hues like their purses and clutches. Placed seemingly harem-scaram against a mirrored backdrop, which doubles their impact, it encourages customers to stop, and adjust their scarves as they stop by. Rest assured there is a method to their madness. The windows are just entrancing. It is very Las Vegas-y, almost tacky--a guilty pleasure, but still satisfying.

Right across the street is always elegant, Tiffany & Co. Instead of the expected, they have classically characterized white neon fir trees outlining a dark photograph of a gloomy forest, nestled at the bottom of a snowy hill, there sitting solitary is their robin's egg blue box, presumably fallen out of Santa’s satchel. It is poetic. I want what is in that discarded box too. It is so pretty I could cry.   

On Madison Avenue an eyeglass retailer has an astounding, and eerie, presentation. They have taken a classic egg-shaped, abstracted mannequin head, and have projected a live action face on it. It is executed with brilliance. The face winks, smirks, sneezes, sticks out his tongue, flirts, smiles, and adjusts his glasses. It is so bizarre that I wish every retailer would incorporate the technology. Passers-by are caught off guard. Even I was thinking I could use a new set of frames...not. Survival these days is based on distinguishing yourself.

Retailers GANT and Kenneth Cole are practically a stone’s throw away from one another. That did not stop them from installing flat screen TVs to trap customers. Lest it get lost on you, almost 1 in 5 Americans are getting a flat screen this holiday. GANT collaborated with www.thesartoralist.com. Scott Schulman, showing behind the scenes montage of his candid fashion shoots. This adds a fashionable cache to GANT’s classic American line.

Kenneth Cole, brilliantly controversial, and 100 percent apropos, places flat screen TVs at the feet of his mannequins. The images are swapped out with chunky books, stiletto heels, pumps and Chelsea boots. Some of the images dance, one gets stuck on a wad of gum, another jumps up and down. Sometimes the images match up perfectly to mannequins, at other times it looks like the male mannequin is wearing the stilettos. Above the mannequins is the tag line "We all walk in each others shoes." A lovely sentiment that becomes profound when you realize that the images are not what you may have assumed, all the feet belong to marginalized groups, a person with AIDS, a transgendered woman, Tammy Fay Baker’s son, Reverend Jack, a tattooed rock-and-roll born-again preacher. There isn’t one cliché ridden visual, thank you visual merchandisers, may I wish you a Merry Christmas! It is amazing what a little light and technology can do.

--Ron Knoth, Guest Blogger

Santa and Steampunk

It was no more than a fortnight ago, May 16, that Diva introduced her readers to the fashion rage Steampunk (check out "Let Off Some Steampunk"). Perhaps you thought she was just pulling your leg...if so, let me pull the other one.

As we draw to the end of the industrial revolution and usher in the age of technology, it’s no wonder that Steampunk resonates. Steampunk connects to a nostalgic romance with the past, a desire to not move so quickly. At first glance it looks “traditional,” but don’t be deceived. That being said, Steampunk is making its entry into holiday windows up and down the Avenue (that’s Fifth Avenue).

Steampunk may be complicated to decipher, but the gist is this--it’s a harmonious blend of the past and present, with visual references to high Victoriana, gas lanterns, street criers, gothic, pen & ink, gramophones, candlestick telephones, lithography, royal typewriters with umlauts, hand-crafted or artisanal-made clothing. Steampunk offers a metaphoric coping device. It has an allegorical tie to artistic movements, and artists who were living in a world of turmoil at the time of the industrial revolution. Steampunk may seem antediluvian, but it is really far from it.

The culture is full of Steampunk-inspired films, and plays like Johnny Deep in “Sweeny Todd” or Brad Pitt in December’s major film release “Benjamin Button.” On Broadway, “Spring Awakening” based on an obscure 1891 German novel is totally steampunkable, it's 1891, but with a twist of four letter words, rock & roll and baby doll dresses.

My mother used to say “Great minds think alike,” if so, pcitured above are two side windows, one by Lord & Taylor, the other by Bergdorf Goodman, neither copy-catters...both personify Steampunk. They are frighteningly similar, no?

Bergdorf Goodman’s front windows are a virtual homage to Steampunk. Creative Director Linda Fargo, like the Pope, is infallible. With simple two-dimensional foam core cut-outs, props doused in white paint and a dream like assemblage, she makes bustles practically sexy again.

If Steampunk has a mission, it is, in part, to restore a sense of wonder to our technology-laden world. Today’s satellite photos make the planet seem so small that we may wonder where our place is in it.

The Internet has compressed our world view into one miniscule mélange. In contrast, Steampunk, with its wondrous airships and time machines, is sort of a dream, the way we used to daydream about being an astronaut.

The glorious Paul Stuart (who, if he was a real man, I’d be in love with) transforms their mannequins into puppets playing with puppets. I’m completely charmed.

Steampunkers love old fashioned forms of entertainment like vaudeville, contortionists and yes, marionettes.

Juicy Couture with aplomb inserts Steampunk elements like costumes, chess pieces, kilts, medieval breastplates and directional hands into they’re own sexed up Steampunk display.

Santa, with his big burly boots, black strapped belt and white fur trim falls perfectly into Steampunk--he was, however, not evident on Fifth Avenue. I presume he’s busy up in the North Pole. FYI: sleighs…very steampunk!

--Ron Knoth, Guest Blogger

The Fur Will Fly

PETA may take umbrage, but despite the movement towards environmental friendliness, the fur is flying…off the racks. Say what you will about fiscal austerity this year, but retailers are promoting luxury furs this holiday.

If a white sable is not in your stocking, take heart, a politically correct (non-endangered) hunted (not trapped) red fox may be. (And I’m not talking “Sanford & Son’s.)

Up and down Fifth Avenue, cloth coats are lapelled in beaver, coyote and rabbit. Not since Nicole Kidman in the fictionalized account of Diane Arbus, "I like it!" lost it to Robert Downey, as Jo-Jo the Dog Boy in 2006’s “Fur,” has fur been so fetishized. Fur has a historical resonance. So important was a fur to ensuring social status that Theodor Fontane's Effi Briest sold herself into a bad marriage for a mink coat, but so did slews of sit-com wives… think Lucy Ricardo.

Fur has been absent from ready-to-wear for ages. Lindsey Lohan may be prone to a flour pouncing from PETA Italiano, but store after store is boasting fur as this year's splurge item.

Lest you think that I’m pulling your leg, Juicy Couture, Bergdorf Goodman, Robert Cavalli, Salvatore Ferragamo and Saks have fur prominently displayed in their holiday windows. Is it a trend? Is it a fad? Is it all just coincidental? Do great minds think alike? I know that they don’t share the same buyer.

I don’t know why fur has suddenly exploded on the scene, but the message is loud and clear. Fur may be one of this year’s “must haves.”

The coats coincidentally remind one of the Depression era. Think Angelina Jolie in “The Changling,” or Monty Wooly in “The Man Who Came To Dinner,” which may account for its return.

More fur your consideration…does the man wear the clothes, or do the clothes wear the man? When fur clothing is not evident, taxidermy is, like Bergdorf Goodman’s Men’s and Brook Brothers.

For some there’s a “yuck” factor, seeing formerly living squirrels, chipmunks, rams and polar bears playing in the great American store window.

What does the preponderance of fur suggest, the need for warmth, a connection to nature, the sensuality of touch, luxury, connection to a staple of a prior era, breaking the rules, defiance of political correctness and man’s control of the environment.

Will you be taking more than a furtive glance when it comes to fur?

--Ron Knoth, Guest Blogger

(Psst! DDI's annual Winning Windows competition will take place in New York the second week of December. Awards will be presented at the 12th annual PAVE Gala. Winners also will be recognized in the January issue of DDI, and online at www.ddimagazine.com.)

A Store Window Sneak Peek

Not often does a site come around that gets my design juices up and flowing, but this new blog by Anne Corrons is a fun, international peek into the everyday world of window dressers the world over. Offered with both French and English translations, Ms. Corrons shoots one or two retail shop windows every day in New York--with a few side trips to Paris, London and Barcelona from time to time--dialogueing her take on the designs within. Her commentary is light and insightful, but the pictures speak a thousand words (especially for those of us who do not live in New York but lust wondrously over the store windows when we are able to take a leisurely shopping stroll in the city). Happy window shopping!

--Alison Embrey Medina

Wizard of Saks

Visual junkies are in for a treat--courtesy of Retail Design Diva guest blogger Ron Knoth. Last month, he captured these Wizard of OZ windows at Saks--an amazing presentation that was only up for a few days. "I can't fathom how much work went into them," Knoth says. "It was a special last minute deal with MGM to commemorate the 70th Anniversary of the film. The windows were magical and fused Dorothy as a Rootstein mannequin trapped in NY's Saks, aka The Emerald City. Replica red ruby shoes seemed to be magically coming out of the window." Additionally, top designers created couture and red sequined shoes for the presentation. To top it off, the shoe department inside boasted a yellow brick carpet. Enjoy the photos below!

Wizard of Oz meets Saks Fifth Avenue:

Cool Customers

Sometimes the best window displays are completely accidental.

On a recent tour in midtown I saw that Daffy’s, a popular designer discount outlet was redoing its “Cool Customers” windows. Daffy’s often toys with clever word play in its advertising, this particular round referencing its hip fashions and customers as personifying “cool,” and the season being inordinately cold, a perfect time to promote its outerwear. This one chilly mid-morning Daffy’s on Madison Avenue left their fiberglass forms out in their birthday suits, nonchalant, undressed, unaware of the irony. Like the classic actor’s nightmare, I too wondered what it might be like to be left undressed in public, with a sign hanging over my head “cool customer.”

Unapologetic, with his arms folded the male mannequin in the foreground seems to be daring customers to pass comment. Undressed as jaybirds, with their proverbial pants down, both mannequins were as exposed and vulnerable as our two recent governors, who were also caught in flagrante, furthering the window's irony. I did make a mental note that the mannequins' postures and forced expressions were eerily reminiscent of recent press conferences. Time permitting, check out the video of a 3-year-old in her princess costume recounting former Governor Spitzer’s exploits as she explains, "everybody was talking about it at school," substituting the word prostitute for "his friend."

I was fascinated how people on the street seemed blasé, and detached epitomizing the “cool customer” mentality, which got me wondering why this particular window was one of the most interesting in the neighborhood to me.

Flirting with public relations disasters, the sexually explicit window displays at Victoria’s Secret have been toned down considerably to meet community standards, which appear more modest than the Eisenhower administration. Window displays by and large have uniformly followed the same Spartan template, a large oversize graphic, centered, with a minimal off-centered display of a single headless mannequin--think Banana Republic, Ann Taylor, Club Monaco, Macy’s and The Gap. As a result, customers have learned not to expect too much, which is exactly what they receive. Macy’s in Boston was forced to remove their display celebrating Gay Pride last June, when customers complained that one of the mannequins was wearing a Gay Pride flag as a sarong. Once Macy’s acquiesced, other groups protested the windows removal. You can’t please everyone all the time. Citing controversy and adverse PR, retailers have shied away POV windows altogether. Citing political correctness, retailers have shied away from sense of humor windows. Commentary on popular culture and the social scene has given way to safer, i.e., blander concept windows on color blocking and innocuous seasonal presentations. If I see another all white window display I’ll just go postal. Many windows have been co-opted by manufactures and designers, (fee for product placement) hence the litany of windows devoted to single items like fragrance or cappuccino makers. It’s a great source of revenue for the retailer, but is a window full of boxed out displays of potato peelers the best that Bed Bath & Beyond can do?

At capacity store windows should be the eyes of the store, leading us inside to the soul of the store. Windows should reflect the personality of the retailer, which invariably like a real person, should be many things, not just one. There are slews of talented visual merchandisers out there. I know many of them. They do great work. They are smart, witty, brave, creative, clever and adorable. Often stymied by management, and jury by consensus, I wish that they could apply their craft, elevate their artistry and offer customers something more interesting to look at.

--Ron Knoth, Guest Blogger

Eye Candy

There is a big difference between what is a fad and a trend. And I know a trend when I see one. While I don’t rely on a crystal ball, I do rely on the fashion magazines and shop windows on Fifth Avenue to assist in my prediction. Here goes…this year, and next, retailers in droves will be jumping on the “Wet Look” bandwagon, and the latest thing in mannequins will be their “finish,” not their style, pose or posture. The new “wet look” is in. Rest assured mannequins will be shinier than your old tube of strawberry flavored lip gloss. The flat white chalky mannequins of days of yore may not disappear entirely, but they will be fewer. Today’s mannequins have shine appeal.

Following what we’ve seen stroll down the catwalks, the “wet look” has captured couture and mainstream fashion retailers alike, which is why we’re seeing a preponderance of clothing produced in shiny fabrications--waxed jeans, oiled linens, slick polyurethane down vests. Glossy fabrics, once considered cheap and déclassé, have made a comeback, including patent leather, gold lame, pleathery spandex, super-shiny silks and acetates. Versace’s gold linen men’s suit was the talk of the Milan shows. It’s not just a pretentious fashion accessory, Tom Ford needs to wear his signature sunglasses, as his showroom is awash in Zenga suits blended platinum or something equally shiny. Shiny finishes have infiltrated the popular culture too. Now that TV has gone digital, even the dullest newscasters have tossed away their old wool suits, and replaced them for suits made with a touch of shine and sparkle to add that extra dimension to your 42-in. screens.

This “wet look” trend follows the influence of metallics that have been, and continue to be, seen on the fashion pages. Mannequin manufactures seized upon that trend in 2005 and began to introduce automotive finishes a few years ago. That’s right, you could get your Lexus or Prius in the same color as your junior or women’s ready-to-wear mannequin. About the same time mannequin manufacturers started adding pearlescent and opalescent flakes to their paint mix to create jewel-like finishes known in the trade as “candy coatings.” A benefit of the flake was that it added depth of color when lit that standard paints cannot offer.

The wet look suggests liquidity and movement, even dark colors like black, when produced in a high gloss, reflect light and become a mirror-like surface that is fun to play off of. The look draws the eye. Emotionally the “wet look” is just in keeping with the timbre of the times. It's fluid, sinuous, expansive, neither here nor there; it’s ever changing and constantly moving. It’s reflective and anamorphic. In these transitional times it appeals to our psychological subconscious.

Wet is the new dry.

--Ron Knoth, Guest Blogger